Hollywood Camera Work Course 1-6

1. INTRODUCTION
2. SHOT SIZES AND TYPES
3. FOCAL LENGTH
4. FRAMING AND PERSPECTIVE
5. STAGING UPWARDS AND DOWNWARDS
6. MANAGING THE LINE
7. COVERAGE
8. SPATIAL CONTINUITY
9. OPEN AND CLOSED FRAMING
10. RIGHT-ANGLE, OUTWARD AND PARALLEL CAMERAS
11. LETTER SHAPES AND CAMERA PLOTS: I
12. LETTER SHAPES AND CAMERA PLOTS: A
13. LETTER SHAPES AND CAMERA PLOTS: L
14. LETTER SHAPES AND CAMERA PLOTS: U, II, O
15. SCATTERED CHARACTERS


1. TEMPORAL CONTINUITY
2. EXPANDING AND CONTRACTING TIME
3. TRANSFORMING CAMERAS
4. COVERING STOPS
5. MOTIVATIONS FOR CHARACTER MOVEMENT
6. MOTIVATIONS FOR STOPPING
7. SCRIPT STAGING: MOTIVATIONS FOR MOVEMENT
8. INTIMACY, HONESTY AND POWER
9. SCRIPT STAGING: INTIMACY, HONESTY AND POWER
10. MANAGING THE LINE: MOVING LINES PART I
11. MANAGING THE LINE: MOVING LINES PART II
12. COORDINATING FOREGROUND AND BACKGROUND
13. DEEP STAGING PART I: STATIC
14. DEEP STAGING PART II: SHIFTING DEPTH
15. DEPTH OF FIELD IN-DEPTH
16. MANAGING FOCUS AND RACK FOCUS
17. MIRRORS, HOTSPOTS AND SHADOWS


1. INTRODUCTION
2. WHY STORYBOARDING DOESN'T WORK
3. THINKING IN PARALLEL
4. THINKING IN KEYFRAMES
5. THINKING BACKWARDS
6. SCRIPT STAGING: PARALLEL STAGING AND KEYFRAMES
7. PAN: KEYFRAME TO KEYFRAME
8. PAN: REFRAME AND REGROUP
9. PAN: START ON, REVEAL, END ON
10. BLOCKING-TRANSITIONS
11. PAN: SEARCH, SHIFT, SWISH
12. PAN: HAND-OFF
13. PARALLAX AND THE VALUE OF FOREGROUND
14. TRACK: COORDINATING FOREGROUND
15. TRACK: KEYFRAME TO KEYFRAME
16. TRACK: KEYFRAMES ON OPPOSITE SIDES OF THE LINE
17. TRACK: DEEP STAGING TO DEEP STAGING
18. TRACK: EARLY AND LATE ARRIVAL INTO KEYFRAME
19. TRACK: PARALLEL
20. TRACK: START ON, REVEAL, END ON


1. TRACK: HAND-OFF
2. TRACK: OPENING AND CLOSING SPACE
3. TRACK: PERSONAL AND IMPERSONAL
4. TRACK: BACK PARALLAX AND UNREST
5. TRACK: REGROUP
6. TRACK: REFRAME
7. TRACK: TIMED MASTER MOVE
8. TRACK: MASTER PUSH
9. TRACK: CLOSE PUSH
10. TRACK: LOW PUSH, HIGH PUSH
11. TRACK: PULL
12. TRACK: CONVERGE AND COUNTER
13. TRACK: PIVOT
14. TRACK: PIVOT-REVEAL
15. TRACK: AROUND
16. PAN AND TRACK: RACK FOCUS
17. BOOM AND CRANE
18. CRANE: KEYFRAME TO KEYFRAME, PARALLEL
19. CRANE: START ON, REVEAL, VERTICAL CONVERGE
20. CRANE: PIVOT, PIVOT-REVEAL
21. CRANE: LOW/HIGH PUSH, HIGH/LOW PUSH


1. A NOTATION SYSTEM FOR BLOCKING
2. THE CHECKLIST: 7 ESSENTIAL BLOCKING STEPS
3. SCRIPT STAGING: "CHANGE OF PLANS"
4. "CHANGE OF PLANS" BLOCKING
5. "CHANGE OF PLANS" CUT
6. SCRIPT STAGING: "UNDER ATTACK"
7. "UNDER ATTACK" BLOCKING
8. "UNDER ATTACK" CUT
9. SCRIPT STAGING: "NOT A SUSPECT"
10. "NOT A SUSPECT" BLOCKING
11. "NOT A SUSPECT" CUT


1. SCRIPT STAGING: "SYSTEM FAILURE"
2. "SYSTEM FAILURE" BLOCKING
3. "SYSTEM FAILURE" CUT
4. SCRIPT STAGING: "CUSTODY"
5. "CUSTODY" BLOCKING
6. "CUSTODY" CUT
7. SCRIPT STAGING: "A TERRIBLE MISTAKE"
8. "A TERRIBLE MISTAKE" BLOCKING
9. "A TERRIBLE MISTAKE" CUT
10. SCRIPT STAGING: "THE CURSE"
11. "THE CURSE" BLOCKING
12. "THE CURSE" CUT
13. ADJUSTING FOR WIDESCREEN AND SCOPE


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