Professor Tahl Niran takes Shake to the next level — rounding out our three levels of Shake courses. This term, we examine some of the more advance features in Shake. Starting with a basic introduction to command-line compositing in Shake, we progress to cover many of the most requested issues in day to day production such as utilizing z-depth and other 3d passes, compositing matte paintings, floating point compositing, and realtime re-lighting using normal maps.
Other topics include wire removal, compositing in Shake’s 3d environment and creating motion graphics in Shake. The course also includes a special 2 part class on set extensions, featuring stunning matte paintings and a host of cool tricks for making your composite look better.
Class 1: Using the Command Line
The unix shell, command line functions, compositing from the command line
Class 2: Using Additional Channels
Understanding z-Depth, Using id passes, vector passes and motion blur
Class 3: Chimp Shot and Logo
Wire removal techniques, generating procedural mattes, using paint and other tools to patch mattes
Class 4: Introduction to Float Mathematics in Shake
Understanding float, realtime lighting using normal maps, using float maths and normals
Class 5: The fxphd Logo Class
Combining vfx and design elements, generating a complex logo in Shake, building a motion graphics background using multi-plane
Class 6: Chimp Scene
Match-moving and integrating 3d render, creating a 3d element in Shake, Image treatments and final comp
Class 7: Motion Graphics
Creating motion graphics elements, using expression for procedural animation, multi-pass compositing with unusual passes , using the 3d camera data, combining elements in 3d space , creating a realtime lighting effect using normal passes
Class 8: 2D Matte Painting
Keying green-screen elements, layering the matte painting, colour matching
Class 9: 2D Matte Painting Comp
Compositing rain and fog, creating grain and matching textures, shot finishing
Class 10: 3D Set Extension
3d body insert, roto and cleanup, keying and marker removal, colour-matching and interactive lighting, grain and overall look, environmental and atmospherics
Size : 1.08 GB
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